Sunday, October 12, 2008

Forigner idea to Angkor wat


I'd been looking forward to checking out the Angkor temples for quite some time. The temples are known as the 8th wonder of the world for good reason. The whole area is massive. On my first day in Siem Reap myself and Niels rented mountain bikes and made our way to Angkor. We had no idea how huge an area the temples covered. It took us 45 minutes to cycle between some of the temples. The heat and humidity didn't help either. We still managed to check out 5 temples over the course of a long day that lasted from 10 in the morning until sunset. The most famous temple is Angkor Wat. It took us quite a while to walk around the biggest religous building in the world. Incredible to think some of these buildings are one thousand years old. After Angkor Wat we cycled out to Ta Prohm, made famous by Angelina Jolie in Tomb Raider. This temple has a number of huge tress growing inside and around it. The roots wrap themselves around the buildings like snakes. This temple was made all the more authentic by the fact that it was literally falling apart. There are huge stones piled in certain areas, just left where they have fallen. We checked out some smaller temples along the way which were equally as impressive. The sun setting on Angkor Wat as we cycled home is something I will never forget.
Angkor Wat
Angkor Wat

The next day Chris from Boston arrived in Siem Reap. I wanted to give Angkor another visit so we rented a tuk tuk to take us around the temples. We got to see a few temples that were a little further away this way.
1-Angkor Wat
1-Angkor Wat

From Siem Reap I had planned on going straight into Laos. This is a particularly difficult route to take however so I decided to go through Thailand instead. I'm going to make my way to Bangkok before getting a train up north to Chiang Mai.

Traditional Dresses of Cambodian



Khmer Traditional Dresses
Traditional dress in Cambodia is similar to traditional dress in neighboring Laos and Thailand. Sampot is the lower garment worn by either sex. The sampot for urban lower class and peasant women is a tube-skirt (sarong) approximately one and a half meters in length with both ends sewn together and is worn wrapped around the waist and secured with a cloth belt. Women of the middle and upper classes preferred to wear the sampot chang kben on a daily basis until the beginning of the twentieth century. This rectangular piece of cloth is approximately three meters long and one meter wide and is worn by first wrapping the cloth around the waist and stretching the ends away from the body. The outstretched ends are then twisted together and pulled between the legs and toward the back. The ends are tucked into the waist at the back, and the sampot chang kben is lastly fastened with a cloth or metal belt. Women of all social strata wear the sampot chang kben on special occasions such as religious ceremonies and weddings. Men also wear the sampot chang kben, but the traditional textile patterns worn by males differ from those worn by females. Traditionally, neither women nor men wore an upper garment. However, when the French colonial presence grew in Cambodia in the late nineteenth century, both men and women began to wear upper garments.

Even after the French presence in Cambodia from the 1860s onwards, Cambodians continued to wear traditional clothing. The Cambodian royalty and government officials combined the shot silk sampot chang kben (in the appropriate color for the day of the week) with a formal jacket. In the beginning of the twentieth century, Cambodians adopted forms of western style clothing such as a blouse or shirt. Men more readily adopted trousers as the lower garment for daily use, and both sexes continue to wear the sampot chang kben for formal occasions. Lower class and particularly rural women still wear a tube-skirt, but the material may be printed batik-patterned cloth bought at the market rather than hand-woven silk or cotton.


The pidan hol is an example of excellent craftsmanship. It may be presented to a Buddhist temple or hung it in homes to create sacred space around the family's personal shrine. In a temple this textile is hung behind, above, or around the base of, a Buddha image. The narrative motifs of a pidan hol often depict tales of the previous lives of the Buddha.

Cotton Textiles

The various ethnic groups of Cambodia also produce cotton material for religious clothing and other purposes, such as for bedding and for various household textiles. The royal courts also imported Indian chintz with patterns especially for the Southeast Asian market.

The kroma is the all-purpose utility cotton cloth used by either men or women throughout the country as a head or neck scarf, belt, or towel. It is also used as a bag to carry things. This rectangular textile has a checkered pattern, usually blue and white or red and white, with striped ends. Political groups such as the Khmer Rouge have used the kroma to symbolize membership.

The Cham, an Austronesian group, are highly skilled silk weavers who produce cotton tube-skirts or sarongs for both men and women. Three or four hundred years ago, the Cham reportedly used to produce batiks (wax resist-dyed fabrics) in cotton similar to that of their kin in insular Southeast Asia. Cham women weave a checked or plaid cotton sarong for men. Natural or white cotton is important in Cham religious activities; it is worn by Cham priests and used as a sacred object during religious ceremonies.

Other Mon-Khmer and Austronesian minorities living in the northeastern region of Cambodia weave cotton cloth on back strap looms for clothing and domestic use. The groups of both of these linguistic families weave similar textiles by attaching the warp beam of the back strap loom to a tree or part of a house in order the achieve the lengths of woven material needed for their loincloths.


The male loincloth is approximately 20 to 25 centimeters wide and 3 to 7 meters long. It is indigo blue or black with large red warp stripes and smaller yellow and white warp stripes. Supplementary patterns also decorate the stripes. The ends of the loincloth are patterned with red bands with supplementary patterns of animal or plant motifs. Red tassels and lead, glass, or plastic beading sometimes decorate the edges and ends of the loincloth. Men of the various Mon-Khmer linguistic groups sometimes wear a blanket over a shoulder during rituals, but otherwise do not wear an upper garment. Occasionally, men wear a simple tunic made from plant fibers such as bark cloth or banana leaves. These plant-fiber tunics are reported to have been more common when the technology to weave cotton was not familiar to these groups. It is now rare to find clothing made from these fibers. Men of the Jarai and Ede Austronesian minorities wear a collarless shirt of indigo or black cotton adorned with red yarn or metal beads on special occasions.

Women of the different ethnic minorities wear tube skirts. The long tube-skirt is worn tucked in around the breasts and is made from two pieces of material sewn together to form a tube. The shorter version is made from one piece of cloth sewn into a tube and is worn tucked in at the waist. The color scheme of the women's tube-skirts is similar to that of the men's loincloth. Women either do not wear an upper garment or wear a simple tunic made from a single piece of cloth with a hole cut in the middle of the textile for the head and the sides sewn together leaving open spaces for the arms. Ede women add sleeves to the tunic and decorate them with red yarn and metal beading.

As with other Khmer and Cham ethnicities, the minority groups of northeast Cambodia presently reserve traditional dress for special occasions. Textile production in Cambodia has experienced disruption because of political conflict, particularly during the Khmer Rouge regime of the late 1970s. Textile production increased in the calmer conditions at the beginning of the twenty-first century, encouraged by renewed local and foreign interest in hand-woven textiles, particularly in mastering the dyeing and weaving of the pidan hol produced prior to the twentieth century.

How to wear clothes for each day of week


For special occasions, men wear a light coloured shirt and coloured trousers. Women wear a silk sampot with matching hol (a type of shirt). In the evenings they often wear a phamuong or hol which is a silk dress with intricate patterns at the hem. They choose their sampot to match the traditional colour for the day of the week when the event is held.

1- Sunday: Red

2- Monday: Orange

3- Tuesday: Violet

4- Wednesday: Greenish yellow

5- Thursday: Green

6-Friday: Dark blue
7- Saturday: Dark purple

Kind of Cambodian silk


Kind of Cambodian silk
Cambodia is world renowned for its exquisite Silks, much of which is still traditionally hand-woven and dyed using natural colors from plants and minerals. These exquisite cloths pictured below are often worn during weddings, Traditional Celebrations and the more elaborate variety, during Classical Khmer Dance Performances.
Pictured above, are absolutely gorgeous Cambodian Silk Kabens or Sampots, pronounced ‘SUM-POT!’ by Cambodians, these cloths are a common sight throughout modern Cambodia and historically, in Cambodian Culture.
The traditional Kaben or Sampot fabric (silk and/or cotton combination) are tremendously comfortable and, extremely flexible; they can be worn as stylish traditional dress or casually worn for more practical use (e.g. work, home & beach). The Kaben or Sampot refer to the size of the cloth, Kaben's are generally 2x as large as a Sampot.

Silk Textiles
The most important silk textiles of Cambodia are the ikat silks (hol), twill-patterned, weft ikat textiles. The pattern is made by tying vegetable or synthetic fibers on sections of the weft threads before the threads are dyed. This process is repeated for different colored dye baths until the patterns are formed and the cloth is woven. The two types of hol textiles have five traditional colors: red, yellow, green, blue, and black. The sampot hol is the lower garment mentioned earlier, made from hol cloth (hol cloth can also be used for sampot chang kben). The pidan hol is a ceremonial hanging reserved for religious or sacred purposes.


Kind of Cambodian silk


Kind of Cambodian silk
Cambodia is world renowned for its exquisite Silks, much of which is still traditionally hand-woven and dyed using natural colors from plants and minerals. These exquisite cloths pictured below are often worn during weddings, Traditional Celebrations and the more elaborate variety, during Classical Khmer Dance Performances.
Pictured above, are absolutely gorgeous Cambodian Silk Kabens or Sampots, pronounced ‘SUM-POT!’ by Cambodians, these cloths are a common sight throughout modern Cambodia and historically, in Cambodian Culture.
The traditional Kaben or Sampot fabric (silk and/or cotton combination) are tremendously comfortable and, extremely flexible; they can be worn as stylish traditional dress or casually worn for more practical use (e.g. work, home & beach). The Kaben or Sampot refer to the size of the cloth, Kaben's are generally 2x as large as a Sampot.

Silk Textiles
The most important silk textiles of Cambodia are the ikat silks (hol), twill-patterned, weft ikat textiles. The pattern is made by tying vegetable or synthetic fibers on sections of the weft threads before the threads are dyed. This process is repeated for different colored dye baths until the patterns are formed and the cloth is woven. The two types of hol textiles have five traditional colors: red, yellow, green, blue, and black. The sampot hol is the lower garment mentioned earlier, made from hol cloth (hol cloth can also be used for sampot chang kben). The pidan hol is a ceremonial hanging reserved for religious or sacred purposes.


Don't let yourself lonely


You know, we cannot live alone in the world we need to build friendship with other people and those are our friends, even a country need to invest or make communication
with other countries. Here for woman and man, you just correct and some idea for you, a reader in my blog!

You know how To Make A Woman Happy?

Ok, here some lessons for you , guys
It's not difficult to make a woman happy. A man only needs to be:
1. a friend
2. a companion
3. a lover
4. a brother
5. a father
6. a master
7. a chef
8. an electrician
9. a carpenter
10. a plumber
11. a mechanic
12. a decorator
13. a stylist
14. a sexologist
15. a gynecologist
16. a psychologist
17. a pest exterminator
18. a psychiatrist
19. a healer
20. a good listener
21. an organizer
22. a good father (to her children)
23. very clean
24. sympathetic
25. athletic
26. warm
27. attentive
28. gallant
29. intelligent
30. funny
31. creative
32. tender
33. strong
34. understanding
35. tolerant
36. prudent
37. ambitious
38. capable
39. courageous
40. determined
41. true
42. dependable
43. passionate
44. compassionate

WITHOUT FORGETTING TO:
45. give her compliments regularly
46. love shopping
47. be honest
48. be very rich
49. not stress her out
50. not look at other girls

AND AT THE SAME TIME, YOU MUST ALSO:
51. give her lots of attention, but expect little yourself
52. give her lots of time, especially time for herself
53. give her lots of space, never worrying about where she goes
54. Never to forget:. birthdays. anniversaries. arrangements she makes.

HOW TO MAKE A MAN HAPPY

1. Make love to him.

What Women Want in a Man

What women want in a man at age 22:
1. Handsome 2. Charming
3. Financially successful 4. A caring listener
5. Witty 6. In good shape
7. Dresses with style 8. Appreciates finer things
9. Full of thoughtful surprises 10. An imaginative, romantic lover
What women want in a man at age 32:
1. Nice looking (preferably with hair)
2. Opens car doors, holds chairs
3. Has enough money for a nice dinner
4. Listens more than talks
5. Laughs at my jokes
6. Carries bags of groceries with ease
7. Owns at least one tie
8. Appreciates a good home-cooked meal
9. Remembers birthdays and anniversaries
10. Seeks romance at least once a week
What women want in a man at age 42:
1. Not too ugly (bald head is fine)
2. Doesn't drive off until I'm in the car
3. Works steady - splurges on dinner out occasionally
4. Nods head when I'm talking
5. Usually remembers punch lines of jokes
6. Is in good enough shape to rearrange the furniture
7. Wears a shirt that covers his stomach
8. Knows not to buy champagne with screw-top lids
9. Remembers to put the toilet seat down
10. Shaves most weekends
What women want in a man at age 52:
1. Keeps hair in nose and ears trimmed
2. Doesn't belch or scratch in public
3. Doesn't borrow money too often
4. Doesn't nod off to sleep when I'm venting
5. Doesn't re-tell the same joke too many times
6. Is in good enough shape to get off couch on weekends
7. Usually wears matching socks and fresh underwear
8. Appreciates a good TV dinner
9. Remembers your name on occasion
10. Shaves some weekends
What women want in a man at age 62:
1. Doesn't scare small children
2. Remembers where bathroom is
3. Doesn't require much money for upkeep
4. Only snores lightly when asleep
5. Remembers why he's laughing
6. Is in good enough shape to stand up by himself
7. Usually wears some clothes
8. Likes soft foods
9. Remembers where he left his teeth
10. Remembers that it's the weekend
What women want in a man at age 72:
1. Breathing
2. Doesn't miss the toilet